Wojciech Jerzy Has

Wojciech Jerzy Has

Directing 1925-04-01 Kraków, Poland

Wojciech Jerzy Has was a Polish film director, screenwriter and film producer. Wojciech Jerzy Has was born in Kraków, with Jewish origin on his father's side, and Roman Catholic on his mother's. During the wartime German occupation of Poland, Has studied at the Kraków Business and Commerce College and later clandestine underground classes at the Kraków Academy of Fine Arts - until it was disbanded in 1943. When the war ended, he went on to study at the reconstituted Academy of Fine Arts in Kraków. In 1946, Has completed a one-year course in film and began producing educational and documentary films at the Warsaw Documentary Film Studio, and in the 1950s moved on to work at Poland's premier filmmaking academy, the National Film Studio, in Łódź. Has made his debut with Harmony (Harmonia, 1948), a medium-length feature, and began making full-length feature films in 1957. In 1974, he was appointed as professor in the directing department at the National Film School in Łódź. Throughout his long and prolific career, he directed such notable films as The Saragossa Manuscript, The Doll and The Hour-Glass Sanatorium (also known as The Sandglass). Early on in his career, Has gained a reputation as an individualist who avoided political overtones in his art. He produced his most important films throughout the period when the Polish Film School was at its most prominent; however, his work possessed its own stylistic feeling that was independent of the over policial themes that dominated the prevailing Polish School. In practically every film, Has sought to create hermetic environments, in which the problems and storylines of his protagonists were always of secondary importance to the particular world he had created, characterized by an accumulation of random objects that formed unique visual universe. Has's oeuvre is commonly associated with Surrealist painting in Polish criticism. This is reinforced by the director's dream poetic and his use of objects, which are also characteristic of many canvasses by the Surrealists. Has also created a number of intimate psychological dramas during his career, such as How to Be Loved and Farewells, focusing on damaged individuals who have difficulty settling into life. In his work, he was fascinated by outsiders and people incapable of finding their place in reality. Two currents remain evident in Has's output: one was his cinema of psychological analysis, the other his films of visionary form, in which he most often used the motif of a journey. From Wikipedia, the free encyclopedia

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全部作品

2023 Self (archive footage) (uncredited)
2012 Self
2001 In Memory Of
1997 Self
1994 Supervising Art Director
1992 Producer
1988 Director
1988 Dialogue
1988 Screenplay
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1985 Director
1983 Director
1983 Supervising Producer
1983 Screenplay
1973 Director
1973 Screenplay
1968 Director
1968 Screenplay
1966 Director
1966 Director
1963 Director
1962 Militiaman (uncredited)
1962 Director
1961 Director
1961 Storyboard
1960 Director
1960 Screenplay
1958 Director
1958 Director
1958 Story
1958 Screenplay
1957 Assistant Director
1955 Director
1953 Director
1952 Cinematography
1952 Director
1952 Screenplay
1952 Director
1952 Director
1950 Director
1950 Director
1950 Writer
1949 Director
1947 Writer
1947 Director
1947 Screenplay
1947 Director