Miklós Jancsó

Miklós Jancsó

Directing 1921-09-27 Vác, Hungary

Miklós Jancsó (27 September 1921 – 31 January 2014) was a Hungarian film director and screenwriter. Jancsó achieved international prominence from the mid-1960s onwards, with works including The Round Up (Szegénylegények, 1965), The Red and the White (Csillagosok, katonák, 1967) and Red Psalm (Még kér a nép, 1971).  Jancsó's films are characterized by visual stylization, elegantly choreographed shots, long takes, historical periods, rural settings, and a lack of psychoanalyzing. A frequent theme of his films is the abuse of power. His works are often allegorical commentaries on Hungary under Communism and the Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic. He received five nominations for the Best Director Award at the Cannes Film Festival. winning for Red Psalm in 1972. In 1973 he was awarded the prestigious Kossuth Prize in Hungary. He received awards for his life work in 1979 and 1990, at Cannes and Venice respectively. Description above from the Wikipedia article Miklós Jancsó, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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2012 Director
2012 Writer
2010 Director
2010 Screenplay
2006 Himself / Marcus Aurelius
2006 Director
2006 Writer
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2004 Director
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2003 Miklós Jancsó
2002 Himself
2001 Himself
2000 Miklós Jancsó
2000 Director
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1996 Director
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1991 Screenplay
1989 Director
1987 Director
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1980 Cinematography
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1974 Story
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1974 Producer
1972 Director
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1963 Editor
1963 Screenplay
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1958 Director
1954 Director
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1952 Director