Rogério Sganzerla

Rogério Sganzerla

Directing 1946-11-26 Joaçaba, Santa Catarina, Brazil

Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement. Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics. Sganzerla was born in Joaçaba, in the state of Santa Catarina, but moved with his family to São Paulo at a very young age, living there for most of his life. During the 1960s he wrote for the newspaper "O Estado de S. Paulo" ("The State of S. Paulo") as film critic, quickly being recognised as a young talent. In 1967, Sganzerla directed his first short film, "Documentário" ("Documentary"), winning an award at the JB-Mesbla 16mm Festival. "Documentário" was quickly followed up by his first feature-length film in 1968, "O Bandido da Luz Vermelha" ("The Red Light Bandit"), which became a landmark for the movement known as Cinema de Invenção or Cinema Marginal and is still Sganzerla's most well-known film. In 1970, he founded the "Bel-Air Filmes" production company along with fellow Cinema de Invenção filmmaker Júlio Bressane. Headed by Sganzerla, the company produced his films "Copacabana Mon Amour", "Carnaval na Lama" and "Sem Essa, Aranha" and Bressane's "A Família do Barulho", "Barão Olavo, o Horrível" and "Cuidado, Madame", all shot in Brazil during four months of 1970 and edited abroad, in England, when both Sganzerla and Bressane were banished from their home country by the then rulling military dictatorship. While in exile, both Sganzerla and Bressane continued to shoot new films. Sganzerla's personal obsessions, such as director Orson Welles (and his infamous visit to Brazil) and musicians Noel Rosa and Jimi Hendrix, appear in many of his films, going as far as being the main subject in some of them. In 1985, Sganzerla directed the docufiction "Nem Tudo É Verdade" ("It's Not All True") about Orson Welles' arrival in Brazil to film his unfinished documentary "It's All True". Sganzerla died in 2004, of a brain tumor, shortly after finishing his last film "O Signo do Caos" ("The Sign of Chaos"). Description above from the Wikipedia article Rogério Sganzerla licensed under CC-BY-SA, full list of contributors on Wikipedia.

代表作

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全部作品

2026 Rogério Sganzerla (Imagens de Arquivo)
2021 Self
2020 Self (archive footage)
2020 Self (archive footage)
2019 Self (archive footage)
2019
2019 Director of Photography
2018 Screenplay
展开全部作品
2014 Self (archive footage)
2009
2005 Himself (archive footage) / (Voz em Off)
2005 Self
2005 Camera Operator
2003 Himself
2003 Director
2003 Writer
2003 Editor
2003 Producer
2003 Camera Operator
2003 Editor
B2
2001 Writer
B2
2001 Editor
B2
2001 Director
1997 Director
1997 Writer
1997 Producer
1997 Original Music Composer
1992 Director
1992 Director
1990 Director
1990 Director
1990 Director
1990 Writer
1986 Director
1986 Writer
1983 Director
1983 Writer
1983 Editor
1981 Director
1981 Producer
1981 Editor
1981 Editor
1981 Producer
1981 Writer
1981 Director
1978 Himself
1977 Director
1977 Editor
1977 Costume Design
1977 Producer
1977 Screenplay
1975 Cinematography
1970
1970 Director
1970 Director
1970 Producer
1970 Screenplay
1970 Director
1970 Writer
1970 Sound
1970 Writer
1970 Cinematography
1970 Producer
1970 Music
1970 Editor
1970 Producer
1969 Additional Writing
1969 Director
1969 Director
1969 Writer
1969 Director
1969 Music
1969 Costume Design
1969 Producer
1969 Producer
1969 Production Design
1969 Writer
1968 Man in the theater (uncredited)
1968 Director
1968 Writer
1968 Producer
1968 Original Music Composer
1966 Writer
1966 Editor
1966 Director
1966 Sound
1966 Producer
1966 Editor
1966 Editor
1966 Editor