Humberto Mauro

Humberto Mauro

Directing 1897-04-30 Volta Grande, Minas Gerais, Brazil

Humberto Duarte Mauro (30 April 1897 – 5 October 1983) was a Brazilian film director. He is often considered the greatest director of early Brazilian cinema. Mauro's second feature film Thesouro Perdido (Lost Treasure) won the Brazilian "Film of the Year" award in 1927. Later that year, Phebo Sul America Film was reorganized into Phebo Brasil Film. The first film released under the new Phebo was Braza Dormida (Sleeping Ember). Braza Dormida was a boxoffice success and furthered Mauro's career as one of Brazil's leading directors. In July 1929, Mauro's final film for Phebo Brasil Film, Sangue Mineiro (Blood of Minas Gerais), was shown in Cataguases. In 1930, the film was given a nationwide release. The film was critically and popularly acclaimed. This was the first film in which Mauro worked with Carmen Santos who would star in many of Mauro's later films. Phebo Brasil Film did not have the resources to continue to produce films. Adhemar Gonzaga offered Mauro a directing job for Cinédia, which was centered in Rio de Janeiro. Gonzaga had started to shoot Lábios sem Beijos (Lips Without Kisses) which starred Carmen Santos. However, Carmen became pregnant was unable to finish production. Gonzaga handed the project over to Mauro, who both directed and photograpghed the film, in March 1930. Mauro decided to make the film silent even though sound was available. He wanted to explore the possibilities of silent film. Upon release in 1930, the film won the Jornal do Brasil film of the year award. Mauro acted as cinematographer for Cinédia's second film Muhler (Woman). Mauro began shooting Ganga Bruta in September 1931. The film was not completed until 1933 due to cast replacements. The film was silent with synchronized sound recorded on Vitaphone discs added later. The film received little acclaim until two decades after its release. Mauro co-directed his first talking film with Adhemar Gonzaga. A Voz do Carnaval (The Voice of Carnival) was a musical. Afterwards, Mauro left Cinédia for Brasil Vita Filme in 1934. He directed two feature films and several documentaries for Brasil Vita Filme. In 1936, Mauro joined the Instituto de Nacional do Cinema Educativo (INCE), which was then the government office for educational and propaganda films. Mauro shot hundreds of documentaries when he was working in INCE, and he also shot his last three movies: Descobrimento do Brasil (The Discovery of Brazil), Argila (Clay), and O Canto da Saudade (The Song of Yearning). His final film was Carro de Bois (Ox Cart), a documentary, in 1974. Description above from the Wikipedia article Humberto Mauro, full list of contributors on Wikipedia.

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全部作品

2018 Ele mesmo (arquivo)
2008 Himself (archive footage)
1978 Self
1978 Screenstory
1978 Screenplay
展开全部作品
1977 Dialogue
1974 Director
1974 Writer
1970 Self
1969 Tio Mário
1967 Self
1964 Director
1962 Director
1960 Director
1959 Director
1958 Director
1958 Director
1958 Director
1958 Director
1957 Director
1956 Director
1956 Director
1954 Director
1954 Director
1952 Januário
1952 Director
1952 Producer
1952 Screenplay
1950 Director
1949 Director
1949 Director
1949 Director
1948 Director
1948 Screenplay
1947 Director
1947 Editor
1946 Director
1946 Director
1946 Editor
1945 Director of Photography
1945 Director
1945 Director
1944 Director
1944 Director
1944 Director of Photography
1944 Editor
1942 Director
1942 Writer
1942 Director
1942 Screenplay
1942 Adaptation
1942 Director of Photography
1942 Director
1940 Director
1940 Director
1940 Cinematography
1939 Director
1939 Director
1939 Director of Photography
1939 Director
1939 Cinematography
1939 Editor
1939 Director
1939 Editor
1939 Director
1938 Director
1938 Director
1938 Director
1938 Director of Photography
1938 Editor
1937 Director
1937 Director
1937 Director
1937 Cinematography
1937 Director
1937 Director of Photography
1937 Director
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1937 Writer
1937 Director of Photography
1937 Editor
1937 Camera Operator
1937 Editor
1936 Director
1936 Director
1936 Director
1936 Director
1936 Camera Operator
1936 Editor
1936 Director
1936 Director of Photography
1936 Director
1936 Editor
1936 Director of Photography
1935 Director
1935 Writer
1935 Cinematography
1935 Editor
1935 Camera Operator
1933 Director
1933 Screenplay
1933 Editor
1933 Camera Operator
1933 Director
1933 Art Direction
1931 Padrasto
1931 Director of Photography
1930 Namorado de D. Perpétua
1930 Director
1930 Director of Photography
1930 Editor
1929 Servant
1929 Director
1929 Writer
1928 Director
1928 Writer
1927 Manuel Faca
1927 Director
1927 Writer
1927 Director of Photography
1927 Editor
1926 Director
1925 Director